![]() ![]() My viewing devices support all HDR-PQ, and it seemed that the REC.2020 footage I have recorded does look fine on all devices even without any grading at all. Thank you very much for this explanation. So, you do not want to avoid log gammas, and you do want to avoid HDR-PQ in almost all circumstances. Clog 3 gammas not only permit more color (10bit) but they also permit the highest dynamic range the camera can produce. You do not ever want to shoot in HDR-PQ unless you can view it in HDR-PQ.Ĭ log clips must be graded to some viewing standard - like REC709 or HDR-PQ. Unless you have a viewing device that can show HDR PQ, the results will look washed out (terrible) and would need to be converted in post to REC709, just like C log. C log and Clog 3 gammas are not - they are Canon's own gamma curves. The gamma is like a log gamma, in that it also increases dynamic range. The other "HDR" - HDR-PQ - is a combination color gamut (REC2020) and gamma curve. It cannot be shot in any 4K or 8K resolution. One kind (in Menu 5), actually shoots two frames and merges them in real time to increase dynamic range. Sorry for my poor english and thank you very much in advance! ![]() This is quite confusing, and maybe one of the experienced users here can state on this observation. I thought that recording of "real" HDR is dependent on the HDR movie recording setting on page 5 of the settings? Is this a way to record 10Bit footage without being forced into a Log-Profile? However, the clips I recorded ended up to be REC.2020 / PQ in 10 Bit. The camera was set to 4K / 60p / crop and additionally, HDR-PQ (SHOOT2 menu) was set to on, but the HDR movie recording setting (SHOOT5 menu) was disabled (not possible to turn on when in 4K 60p mode). Yesterday, I was playing around with my R5 and I made a strange observation. ![]()
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